Sawubona (Zulu for “I see the whole you” “an invitation to be present and witness the power of the exchange”) DISES Changemakers!
I am currently on a flight to South Africa to teach a course with graduate students, local educators, and those who love and support education.This year we are focusing on co-authoring text with our South African colleagues on multilingualism, translanguaging, social emotional learning skills, and trauma-informed/healing practices. In Limpopo (rural area north of Johannesburg) we will co-write primary children’s books to teach lessons on social emotional learning and healing practices and in Cape Town we will co-create multimedia, interactive texts for young adults (e.g., maybe a tik tok or a short graphic novel). This project represents the values of DISES because it honors different ages, languages, pedagogical practices, collaborative groups, and continuous growth of globally competent community members (e.g., learners, students, families, educators).
May has been an exciting month for DISES with the release or the first episode of the CEC Inter Division grant-funded video podcast series, DISES Committees ongoing events, our upcoming international conference in Panama, the website updates, and the recent call for CEC conference proposal reviewers; there are multiple ways to learn, collaborate, and grow in DISES.
May 4th Intersectionality Virtual Gallery Opening (Video Podcast #1): This month DISES collaborated with the Division for Visual and Performing Art (DARTS), Division for Career Development and Transition (DCDT), and the Division for Early Childhood (DEC) with the kickoff of our Critical Global Conversations Video Podcast Series on Supporting Youth, Families, and Educators in Culturally Responsive & Sustaining Practices. Dr. Juli Dorff and I were honored to host the live virtual gallery opening on May 4th where artists with disabilities and those who support them shared about their intersectionality through works of art. We defined intersectionality as the acknowledgement that we all have our own identities and unique experiences of discrimination, oppression, and privilege based on (pulled from Kimberlé Crenshaw’s (1989) and Sylvia Duckworth’s (2020) work). You can view the art posted in the gallery and hear from some of the artists of the “Honoring & Expressing Intersectionality Through the Visual & Performing Arts” here.
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